The search "civic art" yielded
43 articles

Murals for Mayberry. Or Peapack-Gladstone.

Over the last decade or so, we’ve witnessed an explosion of murals on the blank sides of buildings. Not surprisingly, it began as a largely big-city phenomenon, most prominently in Philadelphia, whose Mural Arts Program has achieved international recognition for the time, effort and artistry expended on these majestic, multi-story tableaus. (It has also spawned a

The modern storefront looks great, but what they sell is just so two-dimensional.

Like many of the satellite cities surrounding Washington DC, Silver Spring offers a dense, active, well-capitalized downtown with a mixture of uses and solid accessibility, thanks to the robust and ever growing DC Metro system.   And the downtown sits just a half-mile from the northwestern corner of the DC boundary, in the prosperous expanses

The Marietta in Indianapolis: Infill and Preserving Murals.

My latest just went to post at Urban Indy.  A new building, The Marietta, is going up in a fashionable retail, residential, office and recreation corridor near downtown Indianapolis called Massachusetts Avenue. It’s a suitable piece of infill on a triangular parcel, of which Indianapolis has quite a few, due to its prominent diagonal avenues.  From

Sudsy strategies.

By now, it’s not just something for Portland to be smug about. Nearly everywhere in America—urban centers, suburbs, college towns, sometimes even rural hamlets—seems capable of supporting a craft brewery. Not only have the numbers of breweries and the often family-friendly brewpubs increased precipitously in the last five years, but the market share for craft

Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in this art form has its own long-established Mural Arts Program, a well-staffed organization that not only vets the content and creators of

Urban recycling: not a bad (unironic) beer in the box.

A recycling station housed in an old factory building might not seem like a novel concept, particularly in a city with a plethora of underutilized or vacant industrial space.  Like Detroit. And even the appearance of it—a pastiche of industrial chic, street artistry, found objects, and, yes, even a pretty extensive panoply of bins of

Who initiated the scrawled controversy? We know (k)nothing.

In a city as replete with illicitly painted buildings as Detroit, it isn’t hard to find graffiti in which the subject matter both polarizes and fully illustrates the ongoing debate between two parties.  In some parts of the country, these polemics rarely stray outside of the stalls of men’s restrooms.  They’re low-key and almost private. 

Movable, misunderstood apparitions.

In certain subcultures, it’s become a meme.  But it took me a little while to catch on. Only after driving past this curiosity for three consecutive days did I realize what it was.  It’s not exactly showy, but that’s the point.  Look slightly to the left of the center of this photo, and it should

Water tower repartee.

Even if it’s not a commissioned piece like the mural from my previous post, the landscape of artistic expression in Detroit is rich.  Since such a huge portion of it comes in the form of graffiti—which is almost always by definition an act of vandalism—it’s understandable that my opening sentence might carry a whiff of

Murals for Mayberry. Or Peapack-Gladstone.

Over the last decade or so, we’ve witnessed an explosion of murals on the blank sides of buildings. Not surprisingly, it began as a largely big-city phenomenon, most prominently in Philadelphia, whose Mural

Sudsy strategies.

By now, it’s not just something for Portland to be smug about. Nearly everywhere in America—urban centers, suburbs, college towns, sometimes even rural hamlets—seems capable of supporting a craft brewery. Not only have

Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in

Movable, misunderstood apparitions.

In certain subcultures, it’s become a meme.  But it took me a little while to catch on. Only after driving past this curiosity for three consecutive days did I realize what it was. 

Water tower repartee.

Even if it’s not a commissioned piece like the mural from my previous post, the landscape of artistic expression in Detroit is rich.  Since such a huge portion of it comes in the

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