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Fort Worth Convention Center: does it fit in its location? Best just to look at the footprint.

On the south end of Fort Worth’s tidy, finely-wrought latticework of a downtown, the mammoth Fort Worth Convention Center Building helps ensure a steady array of visitors whenever a major event is in town.  Why shouldn’t it?  That’s precisely what convention centers do.  This convention center seems to benefit from a slightly greater-than-average effort to

Burnett Plaza: where human-centered architecture almost gets the shaft.

Poking out over the squat, one-story barbecue joint in the photo above is a relentlessly iterative office building, with not a single variation in its fenestration across all thirty-nine of its upper floors.  Windows look the exact same, row after row after row.  The only exception is the far left and far right of this

Chestnut Hill switching station: a subtle shield for an ugly use, or a waste of space?

Public utilities are a tough nut to crack, especially in urban settings, where the population density is greater—and so, consequently, is the demand for electricity, gas, water, wastewater, fiber optics, and so forth.  With higher density comes greater intricacy of the conduit; there’s more of it, and it must be more economical with its use

Storefront movie theaters are icons. So why is it so hard to keep the lights on?

It’s hard to imagine any American town of a certain size—small enough that most would still consider it just a town, but big enough that it probably fits the political classification of a city—that doesn’t have, or at least had, an old storefront movie theater as part of its main street.  Everyone knows the type:

RFK Stadium is coming down.  But not before it can serve as lucrative ad space!

It’s surprisingly difficult to see along the nearby Anacostia Freeway (District Highway 295); the trees block it, and even in the winter, there’s just not a good angle.  But if you’re a pedestrian jogging along either side the Anacostia Riverwalk Trail in Washington DC, it’s impossible to miss.  The monstrosity really presents itself well on

Takeover ad space on construction barriers: bringing wolves back to the henhouse?

Take a look at the eyesore there in the center-left of the photo, there with the “FOR LEASE” sign draped across the third floor.  Such a humble, ugly little building…and what a contrast to everything else around it!  I first explored this derelict structure over five years ago, in the terminally transitional Columbia Heights neighborhood

Falls Church, Virginia: an independent city asserting its identity through…stop lights?

After seventy years of steady and often astronomical growth—from 1940 to 2010—suburban Fairfax County Virginia finally slowed in the 2010s to a more modest pace.  It had no choice.  This county opposite the Potomac River from Washington DC is developed across about 75% of its 390-square-mile land area.  Even more impressive is that isn’t even

Lettering and logos: typographical goofs range from cryptic to charming.

Coming from a family that worked in the advertising industry, I cannot help myself by focusing occasionally on the use of lettering, symbols, or other carefully positioned typographic strategies to help galvanize an advertising logo into a widely successful brand.  More importantly, I can’t help but focus on the non-successes—those examples where, even if the

The skeletons of West Virginia’s film industry finally come out of the storefront.

The streetscape of downtown Martinsburg, the largest municipality (population 17,500) in West Virginia’s Eastern Panhandle, doesn’t exactly boast an occupancy level one would rate as thriving.  But it’s hardly plagued by persistent plywood in the windows of the commercial buildings, and the majority of them look like they benefit from regular maintenance and upkeep. I

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