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The search "civic art" yielded
56 articles

Dirt turns 10!

It is this month, way back in 2009, that I inaugurated this blog, with a post on wildlife tunnels in a suburb of Boston. I wanted breadth. At that point in time, I thought it would just be an amusement—a hobby that would help me hone in on my photography skills, while giving me a

Colorful commemorations: what do painted bikes mean to the unschooled?

Nearly four months had passed—a long time for me—since my last visit to Pentagon City in Arlington County, Virginia, home to a big, well-situated, and (as malls go) prosperous mall, a booming multifamily housing sector, numerous key big-box retailers, and a variety of office complexes—all within walking distance of the none-too-pedestrian-friendly Pentagon. The area is

Petersburg, Virginia: will small cities ever get the same infill as the big kids?

Most cities over a certain population—say 100,000—are enjoying renewed curiosity in their historic downtowns, enough to spawn not just an array of restaurants and bars and (for the lucky few) a handful of flourishing retail establishments, but to attract a solid residential component that helps galvanize even more restaurants. And in quite a few of

Murals for Mayberry. Or Peapack-Gladstone.

Over the last decade or so, we’ve witnessed an explosion of murals on the blank sides of buildings. Not surprisingly, it began as a largely big-city phenomenon, most prominently in Philadelphia, whose Mural Arts Program has achieved international recognition for the time, effort and artistry expended on these majestic, multi-story tableaus. (It has also spawned a

The modern storefront looks great, but what they sell is just so two-dimensional.

Like many of the satellite cities surrounding Washington DC, Silver Spring offers a dense, active, well-capitalized downtown with a mixture of uses and solid accessibility, thanks to the robust and ever growing DC Metro system.   And the downtown sits just a half-mile from the northwestern corner of the DC boundary, in the prosperous expanses

The Marietta in Indianapolis: Infill and Preserving Murals.

My latest just went to post at Urban Indy.  A new building, The Marietta, is going up in a fashionable retail, residential, office and recreation corridor near downtown Indianapolis called Massachusetts Avenue. It’s a suitable piece of infill on a triangular parcel, of which Indianapolis has quite a few, due to its prominent diagonal avenues.  From

Sudsy strategies.

By now, it’s not just something for Portland to be smug about. Nearly everywhere in America—urban centers, suburbs, college towns, sometimes even rural hamlets—seems capable of supporting a craft brewery. Not only have the numbers of breweries and the often family-friendly brewpubs increased precipitously in the last five years, but the market share for craft

Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in this art form has its own long-established Mural Arts Program, a well-staffed organization that not only vets the content and creators of

Urban recycling: not a bad (unironic) beer in the box.

A recycling station housed in an old factory building might not seem like a novel concept, particularly in a city with a plethora of underutilized or vacant industrial space.  Like Detroit. And even the appearance of it—a pastiche of industrial chic, street artistry, found objects, and, yes, even a pretty extensive panoply of bins of

Dirt turns 10!

It is this month, way back in 2009, that I inaugurated this blog, with a post on wildlife tunnels in a suburb of Boston. I wanted breadth. At that point in time, I

Murals for Mayberry. Or Peapack-Gladstone.

Over the last decade or so, we’ve witnessed an explosion of murals on the blank sides of buildings. Not surprisingly, it began as a largely big-city phenomenon, most prominently in Philadelphia, whose Mural

Sudsy strategies.

By now, it’s not just something for Portland to be smug about. Nearly everywhere in America—urban centers, suburbs, college towns, sometimes even rural hamlets—seems capable of supporting a craft brewery. Not only have

Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in