Fabulous Las Vegas farewells us: fabulous and fundamentally car-friendly.

These days, few words get abused more than “iconic”, but few pop images—or, at the very least, few roadside signs—deserve the label as much as the sign welcoming people to Fabulous Las Vegas. Everyone knows what I’m talking about. Conceived in 1959 by commercial artist Betty Willis as her “gift to the city”—meaning she did

Primm, Nevada: an oasis where the only green comes from the color of money.

More than a few times, I’ve captured the clever ways that the free market intersects with government regulations at key political boundaries, usually those with powerful differences (something more than just a township or municipality) but not so carefully monitored that it stops the flow of traffic, as would be the case through customs at