I made an unusual and subtle discovery during my last trip to Las Vegas. (Let’s be fair now; it was only my second time there ever. I’m hardly a regular, and I was a kid during the previous visit.) Despite my limited experience there, I could tell almost immediately that the powers-that-be were engaging in
Luxor Las Vegas: an architectural and structural marvel, if you don’t notice the dust swept under the rug.
Does anyone remember when the Las Vegas Strip was best known for its relentless and elaborate barrage of light displays on all the buildings and their signs? Chances are, if you’re under the age of 25, the answer is a resounding “NO”—at least not from firsthand experience. Maybe you get a sense of how things
These days, few words get abused more than “iconic”, but few pop images—or, at the very least, few roadside signs—deserve the label as much as the sign welcoming people to Fabulous Las Vegas. Everyone knows what I’m talking about. Conceived in 1959 by commercial artist Betty Willis as her “gift to the city”—meaning she did
More than a few times, I’ve captured the clever ways that the free market intersects with government regulations at key political boundaries, usually those with powerful differences (something more than just a township or municipality) but not so carefully monitored that it stops the flow of traffic, as would be the case through customs at