Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in this art form has its own long-established Mural Arts Program, a well-staffed organization that not only vets the content and creators of

Polishing an old heirloom.

It’s uncommon for me to devote a particular blog post exclusively to corrections–not because I don’t make mistakes, or because I’m unwilling to admit them, but because my tiny monthly output has much to do with how carefully I try to vet the articles the first time around.  I’m not big on mistakes, and I

Because public art can tow the party line.

In many American cities, the most prominent murals emerge on the blank sidewalls of old buildings, often through months (if not years) of well-calibrated civic collaboration. Philadelphia, the national—and perhaps the global—leader in

Polishing an old heirloom.

It’s uncommon for me to devote a particular blog post exclusively to corrections–not because I don’t make mistakes, or because I’m unwilling to admit them, but because my tiny monthly output has much